Built around many of the topologies and custom transformers made famous with the 5088 mixer and Portico II Series, the 5059 is designed to deliver the ultimate “out of the box” sonics and ergonomics in a 2U, rack-mountable chassis.
The 5059 features 16 channels with individual level, pan, inserts, stereo-2 sends, and master texture controls, providing easy integration with outboard equipment, complete control for two separate stem mixes, and the ability to dial in analogue mojo in two modes. With the same sonic heritage as mixers used to create countless hit records, the 5059 Satellite Mixer imbues tracks with the legendary warmth and presence of a Rupert Neve design.
The most important element of the 5059 is its legendary sound. The keys to the sonic prowess of the 5059 are the custom transformers and true class-A topologies found within. The +/- 24V class-A topologies in the 5059 have been fine-tuned over a number of years to provide exceptional sonic performance and completely eliminate cross-over distortion. When combined with Mr. Rupert Neve’s transformer design and implementation, the 5059 achieves a remarkable purity, while also conveying the signature warmth and larger-than-life sound reminiscent of Rupert’s classic designs.
One drawback to mixing “in the box” is the inability to use high quality analogue outboard equipment. Channel inserts are provided in the 5059 to streamline interconnections with analogue outboard equipment and to allow for further expansions of the 5059’s capabilities. By connecting a second 5059 to the insert outputs of a 5059, the dual stereo outputs can be used as a way to add 4 auxes to each of the 16 channels. When used with the , the 5059 can be utilized to create and mix stems into the main stereo inputs on the 5060.
Every mix demands its own treatment; continuously variable Texture controls with Silk and Silk+ modes allow the engineer to fine tune the harmonic ratio and tonality of each stereo send of the 5059, or leave each mix pristine. The Silk mode accentuates the transformer saturation in the high frequencies to add a “sparkle” to tracks. The Silk + mode accentuates the saturation of the low frequencies to add thickness and density to any source – especially useful for dry, somewhat anemic mixes. Unlike EQ, the texture control saturates the output transformers, and adds musical harmonics to the source material according to the amount of texture applied.
Aside from providing aux functionality with a second 5059 module, the dual stereo outputs of the 5059 are generally used for creating stem mixes. These stem mixes can be enhanced using the Silk / Texture controls on the 5059, then processed by buss compressors or other devices, and fed into inputs of another mixer or an ADC.
With 16 channels of Rupert Neve designed class-A magic and numerous tonal and routing options, the 5059 Satellite mixer will elevate your DAW-based studio’s sound and performance to new heights.
Continuously variable control for Silk and Silk+ modes allows the engineer to fine tune the harmonic ratio and tonality of both stereo outputs.
With zero crossover distortion and unmatched purity, the 5059 sets the standard for rack-mountable summing mixers
Beyond providing galvanic isolation, the custom transformers in the 5059 are a key ingredient to its larger than life sound.
Split the input channels into two stems for further processing and mixing.
Individual level controls are provided for each channel from -∞ to +10dB.
Individual pan controls are provided on each channel of the 5059 with a 3dB pan law.
Level controls are provided for each of the stereo outputs -∞ to 0dB.
“There is something lovely about the sonic change in the tiniest of details as you drive the channels. Pushing level into the mix buss and adjusting the master output produces more of a lovely sheen, its transformers blending in a lovely musical flavour to the tone.”
“The Satellite contributed to the workflow and helped impart the classic big analog sound….There are many summing mixers…, but the Satellite 5059 is the only one deserving of the Rupert Neve name.”
+/- 0.1dB from 20Hz to 20kHz
-3dB @ 3.5Hz / 185kHz
Buss Outputs: -106dBV
Single Channel assigned @ -∞: -104dBV
Single Channel assigned @ Unity: 103dBV
Single Channel assigned @ +10dB -100dBV
Un-weighted, 22Hz – 22kHz
Single Channel assigned @ -∞: -101dBV
Single Channel assigned @ Unity: -100dBV
Single Channel assigned @ +10dB -97dBV
+20dBu output un-weighted, 22 – 22kHz: 116dB
+20dBu output, IEC A weighted: 119dB
+4dBu output unweighted, 22 – 22kHz: 100dB
+4dBu output, IEC A weighted: 103dB
Summing Busses to XLR outputs, Maximum Output Level, 20Hz to 40kHz: +26dBu
Single Channel to Buss, Maximum Output Level, 20Hz to 40kHz: +24.5dBu
1kHz @+20dBu output: better than 0.003%
20Hz @+20dBu output: better than 0.005%
Blue Silk – 100Hz @+20dBu output, texture control 12 o’clock: 0.2% typical
Blue Silk – 100Hz @+20dBu output, texture control fully CW: 0.65% typical Red Silk – 100Hz @+20dBu output, texture control 12 o’clock: 0.1% typical
Red Silk – 100Hz @+20dBu output, texture control fully CW: 0.35% typical
Buss1 to Buss2
1kHz: Better than -90dB
10kHz: Better than -70dB
AC Mains, 100VAC to 240VAC, 50/60Hz: 45 Watts
Fuses – not user accessible, internal on power supplies